MeeMeeTheArts.Blogspot.Com

Sunday, October 22, 2017

WEARABLE ART HAND-EMBROIDERED COAT

IN THE 1970'S THERE WAS A NEW TREND GOING ON FOR FIBER ARTISTS.
THIS TREND WAS CALLED
COAT by Peggy Molloy (Pegalomania)
"WEARABLE ART".

When I first began participating I was living in Boston, & someone suggested I send in some slides of my work to the American Crafts Council Fair Competition that would be held in the summer in New Paltz, NY.

I was as unsavvy as a business person could have been, but the talent was recognized & several fair goers told me to go to Henry Bendels on 57th in NYC. I took my paillette sequined sweater cardigans & did get an order for three. 

I rarely wore my coat, but when I did it always garnered attention. I was dancing then so I had a size 8 figure, which helps the coat hang well when worn.

One such outing, I was offered $3000. on the spot. I declined, but always thought if I were ever to sell my coat, that is where I would begin negotiations, now being 40 years later.

I have stored my coat in heavy plastic & I am thrilled to announce the coat is in fabulous condition. 
I did spray it with vinegar & water to freshen it up, & it has a new life. I will include more pictures.
If anyone is interested in purchasing this sample or having a commissioned coat made just for them, please email me: theartsqueen@gmail.com



It it pretty tough to get the rich & varied colors shown with anything other than 100% wool. I used wool embroidery thread, letting the patterns design them selves or "grow", on a pink cotton velveteen fabric. It is unbelievably rich looking.














Saturday, July 15, 2017

Ballerina KIMBERLY GRAVES-HAMM Now Coaches Ice Skating Competitors



Marco Berg & Kimberly Graves-Hamm
Decades ago, while performing in a touring company from San Francisco called "Ballet Celeste"...

 I met a young girl named Kimberly Graves. She was the lead in all the dances, had exquisite taste in clothes, & held an uncommon authority in her craft. No wonder then, that she soon went off to become a Soloist with the Royal Winnipeg Ballet

While in Winnipeg, she spent four seasons. Graves then moved to NYC where we once again became acquainted. She joined the METROPOLITAN OPERA BALLET where she was a Principal Dancer for 17 years. I looked her up recently now that we are both living in different parts of California, only to learn her vision & talent have extended to new horizons in ICE! To follow is an interview she graciously gave to me amidst her many professional obligations.

(Photo Above Right) Kimberly Graves-Hamm in Nashville, Tennessee, with talent Marco Berg, in costume for competition in the National Showcase Parade Champions, Silver Medalist 2016. The National Showcase is a competition in theatrical skating. It is sanctioned under the U.S. Figure Skating Rules 

MOLLOY: What triggered your decision to transfer your artistic skills & vision to ice-skating?

GRAVES-HAMM: After years of admiring Figure Skaters & watching the Olympics, I saw a need              for the artistic finish that a dancer has. The musicality & artistry was missing.


MOLLOY: Your protege' participated this year in Nashville with the National Showcase Parade                    Champions?


GRAVES-HAMM: I went with Competitor Marco Berg.

MOLLOY:  I wish you only the very best in your artistic endeavors. How would like to be contacted?

criticaldance.org





GRAVES: The best contact method would be to email:
         Kimberlygraceonice@gmail.com

Kimberly Graves-Hamm offers off-ice instruction that complements the on-ice activities of skating professionals. 

For dance enthusiasts please check out the website linked below Kimberly's photograph.






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Link to voice lessons: <a href="http://46625-tjkadawj7gtq4cvkvq8i.hop.clickbank.net/" target="_top">Click Here!</a> Try it to become a triple threat!

Wednesday, April 26, 2017

Pegalomania Paper Dolls now available in one dozen lots!

Pegalomania Paper Dolls by Peggy Molloy
Dancer/ Designer Peggy Molloy
dba: Pegalomania 
proudly presents 34 designs to color & cut out for pleasure...kids of all ages who need to relax & enjoy themselves while listening to ballet scores on the machine of your choice.

Details:
one dozen lots @ $6 per book 
= $72.00 ; plus shipping & handling = $7.00 Total  = $79.00

Just send your email for invoicing to theartqueen@gmail.com. THX!

 

Thursday, March 2, 2017

Eureka CA has new Certified Craft Distilled Spirits being created!

CERTIFIED CRAFT DISTILLED SPIRITS 
being created in Eureka, CA! by Peggy Molloy

www.humboldtcraftspirits.com
 For "Shrove Tuesday" I went to our church's pancake supper. 
I was given some raffle tickets from a friend who could not stay for the entire event. It worked out that by the end of the evening, I had won some fabulous spirits! Perfect for an evening devoted to spiritual thoughts...

Living in remote northern California, nestled deep within the Redwoods, we do need our entertainment. Apparently the owners of Humboldt Craft Spirits is ahead of the game with their concoctions of gin, vodka & rye, but also some terrific recipes. I can tell these are tested to the finest detail! I will set them up for the reader below.

In general I dedicate this blog to the arts, but it could be argued that making fine spirits is an art form. 

Here are some recent awards:



 HAVE FUN!

Monday, June 27, 2016

SATLOF RENAISSANCE @ FERNDALE REP

THE WHITE SNAKE LIVES AT FERNDALE REPERTORY...

ILLUSTRATION: Kim Hu-jeong

     My introduction to Leira Satlof was one summer, many summers ago when she & James Floss were auditioning for “1940’s Radio Hour” for a production being put together for the Ferndale Repertory Theatre. Having been cast, we shared extensive rehearsals for a 26 member cast and by all accounts, the show was a success. I was aware that her mother Jane Hill was a co-founder of Dell-Arte, another local company I had worked with, for a Christmas show.


     When Gloria Montgomery telephoned me late Saturday afternoon for going to the theatre that night, I was thrilled. It is always wonderful to accompany such a talented and well-known actress as Gloria. We went to see the current production of THE WHITE SNAKE at the Ferndale Repertory Theatre with bells on.

Oregon Shakespeare Festival Photo


     First staged at the Oregon Shakespeare Festival by Artistic Director Bill Rauch, this Chinese fable has had updates by such notables as the Brothers Grimm. I found the show brimming with talent, excellent casting, tasteful music written by Brian Post, with loads of excitement riveting the audience between fight scenes, dance scenes, love scenes, and scene changes, with drama and a driving story.

     I particularly enjoyed watching the mercurial temperament of Hanah Toyoda, playing the role of the monk Fa Hai, along with playing the parts of Narrator #4, Canopus, plus working as the Make-Up Designer. The other leads were very good, keeping the show at a good pace, and developing their character depth as the Second Act unfolded. I always look for those with a dance background, always noticeable.

    I loved the poetic elements held within the production decisions that could be compared to Cirque De Soleil. Growing up in the Dell-Arte world fashioned Satlof’s vision for how staging could and should work.  I thought the positivity of the teamwork expressed itself by the energy and creativity demonstrated by the cast throughout the uniquely timed and detail oriented blocking.

     I want to close with an official congrats! to Leira Satlof and the committee for having chosen her. It’s a new day in Ferndale. It is my hope that the community will rally by attending the final two weeks of the show. It is a good method to relax, especially with relatives possibly visiting, or the children needing some entertainment for the Fourth of July weekend. You are in luck, July 3 and July 10, 2016...both days have 2 pm matinees so you can take in the show with your family.

www.ferndalerep.org   (707) 786-5483

Thursday, April 28, 2016

Julie Fulkerson Goes To NYC!

CIVIC LEADER & ENTREPRENEUR JULIE FULKERSON TRAVELS TO DISCOVER WHAT IS GOING ON IN NYC THIS YEAR...

interview by Peggy Molloy

Photo: Julie Fulkerson NY Set

MOLLOY: When was your most recent visit to NYC? 

FULKERSON: March 2016

MOLLOY: Do you go there often?

FULKERSON: We make every effort to go once a year.

MOLLOY: When did you first begin going, i.e. with your parents maybe?

FULKERSON: Actually, first trip was with my parents when I was 12 and on the way to Europe. We left Eureka on a six-day Greyhound bus trip across country and ended up on the docks of Manhattan to take the Ryndam on a ten day trip across the Atlantic…a story in itself.

MOLLOY: What was your favorite show at the theater? 

FULKERSON: This time, it had to be Waitress because of Sara Bareilles’ role in writing the score. It is always tough to pick one, because all are terrific an diverse experiences. This trip we also saw Father with Frank Langella, Eclipsed with Lupito Nyongo’, Boy and Michelle Williams and Jeff Daniels in Blackbird; NYPhil rehearsal, Sondheim review, Paul Horn and Judy Collins at St. John the Divine, numerous chamber concerts and a ballet….street and subway musicians! 

MOLLOY: What was your favorite concert? 

FULKERSON: Solo cellist in Trinity Church.
Photo: Julie Fulkerson NY Concert
MOLLOY: How has visiting NYC shaped your ideas about our local cultural offerings? 

FULKERSON: It is a reminder that there is unlimited material and talent in the world. It is important to show up in person. "Hamilton" will bring in over $1 billion in ticket sales. That is important to me because it means actors, musicians and technicians will be employed for years to come, just on this one show. Much bigger impact than a block-buster movie. And, there is a very different visceral response with live theatre than art in a can.

MOLLOY: There is an upcoming auction with your thumbprint on it to support a local school & social programs currently being held at that school. Details on poster below.
poster art by Augustus Clark
MOLLOY: I want to thank you personally for being an outstanding example of civic leadership & supporter of the Visual & Performing Arts in your community of Humboldt County, CA.

Wednesday, March 30, 2016

Major Shifting Reflected By Global Art Structuring

I have a premise for most of my thinking about art:

"Art Is Our Ancient Global Language".

This is reflected by many arguments about whether the Mother of the Arts is dancing or the creation of music? Both dance & music hold equal merit in my mind, but I want to discuss a bigger idea.

There is the phenomena of mega-museums, the diminishment of the local galleries, the huge global 

impact of the Internet, & the destruction of many centuries old sites representing older civilizations.





Blouinartinfo.com

















"Rise of the Mega-Museums"





From the Whitney, NYC to museums all over the country,... renovations, facelifts, & extensions are stretching the minds & corridors of art institutions all over the world. Couple this with the deterioration of the smaller, home-town art galleries all over the country. Again, when we go to the theater, we understand the multi-media concoctions on stage are part of the new experience.

Here is my question...As the art world becomes more bold globally isn't this affecting the market at its core? I define "core" by those in small towns & city lofts creating their own art, be it choreographers, musicians, painters, sculptors...No one is happier than I am to have the arts & artists flourish, however, I feel I am witnessing basic business nuts & bolts. There is a glut in the market so to speak, galleries now charge the creative artist from 50-70% commissions, so therefore, who is making any money? Dare I compare this to the oil market? We are dabbling with basic constructs of luxury, class, & values.

At the same time, we record the loss of sites. We can begin in the Middle East where so many religious/ cultural structures are being destroyed as acts of WAR because they are reminders of civilizations & religions of ancient societies from long ago. 

Blouinartinfo.com

Just saying...I personally have great affection for the Old Masters, but clearly I view their study as a stepping stone, much as I appreciate the training of classical music for vocalists or composers.  Most dance people can tell instantly if a performer has had ballet training, by the ease of movement, the central strength, & lift of the physique exhibited by the actor. Let's not spend our precious time & dollars re-inventing the wheel. I view it as a tragedy to lose the artistic marvels of the world because they represent so much of cultural thinking & expression of the human experience.