MeeMeeTheArts.Blogspot.Com

Thursday, December 12, 2013

Chatting With Author/ Performance Artist Tracey Barnes Priestley

www.thesecondhalfonline.com
Tracey Barnes Priestley is a pioneer of a new sort of gal. I state this because as a female writer with a play to produce, I have been educated to analyze my target audience. Baby-boomers? Older women only? I hate to create more division in our audiences than we have already as a society. Culture nuts? Art lovers who appreciate previous eras?

I grit my teeth at the term "chick-flick" however, I recognize my rememberances of NYC in the 70's riddled with ballet scores & The BeeGees most likely will not draw a younger, sportier crowd.
(I want to be wrong on this).

We are all getting older & living longer. Many of us have a great deal more to get done in our own "Second Half's"... I began noticing who among us was able to market to my age group, taking the blows in stride yet able to come back up smiling. This ability is a version of true sportsmanship.

Priestley has been at it for awhile now & I admire her for it. She took her elegant lankiness to the stage responding to her own archives of newspaper writings, predominantly letters that she had received from readers dealing with "the reality of being over 50 in the 21st century". Acting, singing & dancing with the Humboldt Light Opera Company, & a lover of music, her show THE SECOND HALF was set with actress/ director Valerie Gillett-Bourne. It was performed with energy & humor.

Her recent book titled "DUCK POND EPIPHANY" is available on her website www.thesecondhalfonline.com which constitutes her first novel. Priestley can be contacted via Twitter @TraceyAfter50. Hopefully, we will get updates in the future about Tracey after 100.


Wednesday, November 20, 2013

Is Art A Good Investment? Visiting Monaco Wealth Management




Francis Bacon's
1969 painting titled
"Three Studies of Lucien Freud" sold for a tidy $142,405,000
 at Christie's NYC.

So what's up with the outrageous prices paid for art held in the International Art Markets?



Ballet Russes by August Macke, 1912
My personal interest in Monte Carlo began as I studied Dance History. I bumped into a fabulous character named Sergei Diaghilev (1872-1929).

Diaghilev founded & directed the magazine
WORLD OF ART (Mir Isskoustva) which was published for a period of 6 years, primarily funded by Czar Nicholas II. In 1906 Diaghilev organized an exhibition of Russian painters in Paris at the Fall Salon in the Grand Palais. Thus he began his exporting of the Russian visual & performing artists to the galleries & stages of Europe.

This included composers Stravinsky & Debussy. Painters being Picasso & Matisse, with dancers being Nijinsky & Pavlova.

www.Zazzle.com
From the halls of famous dance figures, this visionary leader saved the lives of many artists as they were harbored in Europe during war. Many then came to America seeking freedom & a safe place to work.

In my mind I have always equated artistic wealth with the famous BALLET RUSSES DE MONTE CARLO, although this title refers to companies founded after the death of Diaghilev.


Wealth Management, with expertise in the arts, is a feature of monacowealthmanagement.com

Quote "World record art sales as super-rich snap up Freuds, Koons, and Warhols...$142m spent on Bacon triptych represents just fraction of global demand for art sending avalanche of cash to auctions."

It has long been my theory that art is our ancient global language so for me, channeling the power of money into the power of art is a natural. I appreciate the expertise & financial acumen offered by those in Monaco, they obviously have a positive attitude which goes hand-in-hand with the abundance they live within.


























Wednesday, November 13, 2013

Jason Lim Conductor Creates Intrigue



Recent prize winner Jason Lim 
is Founder, Executive & Artistic Director @
ODYSSEUS CHAMBER ORCHESTRA



Please view orchestral video link:

htmlhttp://theamericanprize.blogspot.com/2013/09/conducting-winners-runners-up.html



MOLLOY:  Where did the inspiration for the name of your performing group come from?

LIM:  First, I wanted to give my orchestra a more exotic name rather than the name of a city or a place. The inspiration came from my fascination with mythology & the reference to every man's  journey & struggles, which I could certainly relate to.

MOLLOY:  When did you first begin playing a musical instrument?

LIM:  I started playing the piano when I was ten years old. Later when I was twelve, I started the violin, then later switching to the viola. My love for music developed from that point.

MOLLOY:  What led you to being interested in becoming a conductor, which I might add, seems to me, a daunting task?

LIM:  When my interest in violin began I saw a video of Simon Rattle, & from then on I knew I wanted to become a conductor.

Jason Lim currently works in the Dallas/Fort Worth, Texas area & oversees the many challenges & opportunities revolving around pursuit in the classical performing arts.



Sunday, November 10, 2013

Rosenberg Family Art Collection Gaining Attention Worldwide

@nytimesart, April 26, 2013
Paul Rosenberg, world renowned art dealer in Paris, had his collection looted by the Nazi regime in 1944. The lawsuit continues as interest in justice for the ruinous destruction of German culture develops.

Crated off in a train to who knows where, for three generations the family has been seeking the art which has found itself in museums and private collections.

Picasso, Renoir, Braque, & Cezanne originals are but a few of the works that have been lost.

www.metalonmetalblog.blogspot.com

The Museum of Modern Art does have within its archives correspondence with family members with letters to the elder Leonce Rosenberg. Letters also include artists notings associated with Galerie de l'Effort Moderne and its Bulletin.

History unfolds and tells its story about who received and coveted these priceless works. Many have found their way into state run collections in foreign countries. Policy leaders had been threatened by the non-verbal messages being displayed in bold colors and radical forms.

Cezanne (1839-1960) painted subjects of mortality as her became obsessed with death ideas in the later years of his life.

Thursday, October 31, 2013

Vatican Art Patrons Online

For those of you that are interested in supporting the arts, let's not forget the Catholic Popes. There is a vast amount of artwork, some from controversial sources, but in general an example of a faith community seeking a method to arouse concentration & meditation towards their God.

www.antiquatours.com


New book out "Meditations On Vatican Art" was reviewed on EWTN (Eternal Word Television Network) their radio division, with news about new authorities that oversee the patronage of the art work currently held within the museums.

Donation opportunities include: Raphael's Final Masterpiece: The Room of Constantine, Tribute to John Paul II, Zakopane, 12-Month Internship, Vatican Coffin Research, & Renovation of Rooms I & II in the Egyptian Museum. Many more groupings of projects & wishlists remain.

The link is vaticanpatrons.org, with chapters in California for those of you who may want a local touch.

Tuesday, October 29, 2013

Davenport Supports Investing in Broadway Shows

In these days of economic chaos there are some of us who figure we may as well produce a show as hang on to money that may or may not go up in smoke. High risk? You bet. Knowledge based advice try this.
http://www.theproducersperspective.com/my_weblog/2009/04/how-to-invest-in-a-broadway-show-part-i.html



Broadway Babies - Wikipedia
 Some of us who love the theatre thrive on Broadway shows.

Tuesday, October 22, 2013

COPYRIGHT of original music discussed

I asked the Executive Producer of Hilltop Records what their policy is regarding the use of music they produce. Hilltop Records produces music for many beginning their careers, and are seeking publicity. They operate out of Los Angeles.

www.dreamstime.com


He explained that clients of his who have their original music produced by Hilltop Records, retain their copyrights. If that same composer chooses to sell the material to another company, as long as it is not Hilltop's production, all is well. The problem is when an artist uses the Hilltop production as their own. This clears this up for me because I have paid Hilltop to produce material of mine, but I intend to use it in a musical production of new arrangements in my play "Miss-Placed: The New York Years".